Asian Civilization Museum

If you wish to explore the National gallery in Singapore during your visit to the Asian Civilization Museum you can save yourself the trouble of booking two tickets and booking a combo ticket online. The price for the combo ticket may range from 15 to 20 Singapore Dollars.

If you have a love for history you must also include the National Museum of Singapore along with Asian Civilization Museum in your itinerary. The combo tickets price for the two range between 15 to 20 Singapore Dollars, book online and explore the places you love in Singapore.

Faith Beauty Love Hope - Our Stories, Your ACM was on display in the Special Exhibitions Gallery of ACM. It included items from the ACM collection that the museum's staff and other stakeholders had chosen.

thINK: Chinese Calligraphy, Connoisseurship, and CollectingThe Contemporary Gallery hosted thINK using an archive technique to exhibit historical artifacts from the Ming and Qing eras. In addition to presenting, thINK (pronounced "think ink") aims to open up conversations between the past and present across time and geography.

• The First Level's Galleries recount the tale of Trade. The more than a thousand porcelain, gold, and silver objects on show depict the thriving Indian Ocean commerce and the emergence of globalization long before the phrase was ever invented. Systems of Faith and Belief are displayed in
• Second-Level Galleries, showing how they originated in Asia, traveled across the continent by land and water, and were localized along the way. The museum's third level is dedicated to decorative art, exhibiting a significant portion of its collection.

From the comfort and privacy of your own house, you may use the Asian Civilization Museum's Audio Description Tours to hear explanations of important items in our collection. The ACM Friends & Family Pack activity kit is available for download, printing, and usage by people of all ages and skill levels. With the aid of specially created kid-friendly audio tours, listen to kid-friendly audio segments that promote close examination and motivate kids to interact meaningfully with ACM artifacts.

An Arab ship carrying priceless goods sailed from the port of Canton 1100 years ago. The ship sank just off the coast of Sumatra and remained undiscovered until it was stumbled upon in 1998. The Tang Shipwreck kicks off the ACM's basement level theme of "Trade and the Maritime Silk Routes," which showcases masterworks of Asian export craftsmanship from the 9th century to the early 20th century, including ceramics, paintings, gold, silver, furniture, and other materials made in China, Japan, India, and South-east Asia for export to the world.

The items on the exhibit demonstrate worldwide demand, changing tastes as traders traveled between locations, and how new artworks were produced by combining elements from various sources. Japanese, Chinese, and Southeast Asian pottery, many of which were produced for sale, are shown in the Maritime Trade Gallery. There are also displays of Asian furniture and ornamental arts intended for export. The histories of the multicultural Asian port towns that came before Singapore are explored through maps and pictures of Canton, Hong Kong, Nagasaki, Batavia, Shanghai, and Manila.

The major faiths of India— Hinduism, Buddhism and Jainism—were transported over trade routes from India to China and then on to Southeast Asia, as shown in masterpieces of sculpture, painting, and ritual artifacts. The three major faiths of India— Hinduism, Buddhism, and Jainism—are shown in the Kwan Im Thong Hood Cho Temple Ancient Religions Gallery. The transmission of these ancient faiths over trade networks from India to China and then on to Southeastern Asia is shown in magnificent works of sculpting, paintings, and ritualistic artifacts.

Fresh art pieces were necessary to tell Christian history, adorn churches, and inspire new followers as Christianity spread throughout Asia. Asian creative traditions are combined with well-known European images in Christian art. Most of the materials and methods used to create these artworks were Asian, whereas the themes and images were often Western. The artwork on show results from cross-cultural artistic interactions between Europe and Asia. The artifacts demonstrate how religious contacts may result in wonderful art pieces and convey tales of compassion and variety.

The Islamic Art Gallery displays artwork created in surroundings shaped by Islamic principles and sensibility. The exhibition invites visitors to discover Islamic art's vast variety and beauty by showcasing ceremonial, secular, courtly, and scientific artifacts representing Islamic ideals and sensitivities. Beautiful religious artwork created by and for Islamic believers throughout Asia, with a primary focus on Southeast Asia, demonstrates how regional adaptations of global conceptions of Islamic art resulted in distinctive aesthetic forms that reflect local influences.

The Scholars Gallery presents gentlemanly arts and artifacts gathered and valued by intellectuals of the literati culture in order to understand Chinese patterns of thinking, morality, and ceremony, some of which were influenced by Confucian concepts of propriety. Numerous Asian nations still practice many of these customs today. The ornamental arts, including paintings, calligraphy, and furniture, express the interests and passions of intellectuals or the others who seek to imitate them.

Ancestors & Rituals explores indigenous civilisations' ceremonial and genealogical customs, along with some of Southeast Asia's most isolated villages. The Ancestors and Rituals Gallery explores traditional civilisations' ceremonial and historical beliefs, including some of Southeast Asia's most isolated tribes. Several of the earliest collections from the Asian Civilization Museum are among the items on exhibit; these were previously housed at the former Raffles Library and Museum. The artifacts on show here depict cultures from wet rice empires, maritime trade ports, and farther-flung tribal settlements.

The Fashion and Textiles exhibit illustrates how personas and cross-cultural interactions are reflected through apparel by showcasing a variety of clothing and fabrics in frequently cycling exhibits. Through apparel and fabrics, this gallery examines Asia's history, ethnicities, and identities. People's clothing choices reflect their views on their tastes, genders, status, and position. Going further than the realm of national attire, it demonstrates how regionally specific styles frequently borrow elements from others.

One of China's tremendous scientific and aesthetic triumphs is ceramics. They comprise various burned clay products, from straightforward pots to fine porcelain containers. For a large portion of the globe, ceramics symbolized China itself. Ceramic has been the second-most important export in imperial China's trading with foreign civilizations, behind silk. The Ceramics gallery offers a thorough overview of Chinese ceramics from the Neolithic until the Qing dynasty. ACM's outstanding assortment of Dehua China, sometimes referred to as "blanc de chine," is on show in particular.